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PRIDE or PREJUDICE

Sunday, October 07, 2007

Nobody Makes the Sun, Алеша

The Sun Also Rises

Lavishly produced and imaginatively shot, the film will delight audience who enjoy extravagantly gorgeous imagery without the violence that usually accompanies it. Fluid motion and glorious colors provide a visual treat in Chinese New Wave director Jiang Wen’s sumptuous romantic fantasy "The Sun Also Rises", which screened at theaters worldwide recently. The first impression of the film makes me recall two things: the novel of the same name by Ernest Hemingway, and the movie of "In the Heart of the Sun" by the same director Jiang. I guess, there're somehow connections here and there.

The scenery drifts between fantastic Shangri-la villages and lonesome Gobi desert to follow four narratives exploring the roles during that mysterious culture and revolution years in Chinese history: a deranged young widow with her naïve son, two tragic college teachers over an attractive woman doctor, and then the magical texture of velvet in the 3rd tale. Everyone never knows the travelling back story in the desert years ago under the same sun.

We can see a people that were discouraged from feeling and expressing emotion, be it all through tragic circumstances or simply overcome by human desire. Loss and death could cause many of the characters to retreat inside themselves and discourage from doing anything emotionally. But we're emotional and passionate creatures and when we cannot dind one place we will find it in another and that always brings about consequences as well. Love and emotion doesn't always have to hurt but when it does, retreating into ourselves or to others doesn't mean the pain will go away either.

The most asked question of the film could be "Why did Teacher Liang suicide?". Relief? Dissatisfaction? Demonstration? Homicide? Oh, guys, don't expect to figure everything out, unless you put yourselves into that sun in the movie. By the way, I have to express my appreciation to Joe Hisaishi: all the music in the film are definitely appealing.

To sum up my feeling of this Chinese film, I need to quote the favorite song of Luciano Pavarotti - 'O Sole Mio!


Edward Lincoln
Oct. 7th, 2007

Saturday, April 28, 2007

???鴛鴦蝴蝶鴛鴦蝴蝶鴛鴦???


        小時候有一次我用生僻的字詞編了許多駢麗卻似是而非的短句作成了一部折式經文書卷來唬人。後來我看過了六祖壇經,金剛經,並常用玄奘翻譯的般若波羅蜜多心經來自慰。南無阿彌陀佛﹗我踩垮流言蜚語,自以為是,夢到了一個普通的早晨從睡眠不足中驚醒的我得想的事有:拿甚麼洗臉用甚麼刷牙塗甚麼護膚噴甚麼香水穿甚麼衣服吃甚麼早點幾點出發走哪條路坐哪趟車見甚麼人說甚麼話作甚麼事,睡甚麼覺啊,作夢。

        煩惱,憂愁,迷惘,華而不實的字眼令人仿佛路遇糞坑。對一個面容模糊的青年來說,裴多菲那希望的娼妓是不可抗拒的軟性毒品。我絕望地動搖了堅固的虛偽,自詡為暗藏神諭的先驅。可見,生活本身就是自嘲的最好例證,如花如夢如我。

        我本來是說家家有本難念的經,現在看來有些胡扯梵經。其實我一直沒試過垂釣,想像中應該有放風箏的味道。我甚至不記得自己有沒有劃過船,不過我真的很願意靠著知己看潮落潮起。

李瀚

西元二〇〇七年四月二十八日

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Wednesday, April 11, 2007

C'est Bon

Jeux d'enfants

Yann Samuell's Jeux d'enfants is expressing an ultimate life of human romance - just child's play. So the English title "Love Me If You Dare" would make audience confused and the movie itself out of magnificence. Not any rational and intelligent lovers in mainstream American movies, the free will Of course the film is elegant in an europa style, like the best ever Fabuleux destin d'Amélie Poulain, Le by Jean-Pierre Jeunet.

In some scenes, you get yourself in, we're all here. Everyone is chasing anything. Within the theme of "La Vie en Rose", I'm delighted. You'll like it.

Bohimian Rhapsody. Rive Gauche. La Vie en Rose. "Cap", ou "pas cap" ? C'est Incroyable!

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